Azed Competition No. 1004 Azed Slip | ◀ 1000 | 1008 ▶ | Other competitions | 
ordStats
ordStats| No. | Date | Clue word | Clue type | Clues |
|---|---|---|---|---|
| 1004 | Aug 1991 | OIL PAINTINGS | normal | 27 |
| Award | Clue writer | Clue | Explanation |
|---|---|---|---|
| First | M. Earle | Bacon’s stuff we turn slain pig into | anag.; ref. Francis B. |
| Second | R. J. Hooper | One lot surprisingly paraded around past home in G. and S. | pa. in in anag. incl. I + in G, S, & lit; ref. ‘Ruddigore’ |
| Third | E. J. Burge | Initials ‘P.G.’ on tips? They can be seen in a particular section of Sainsbury’s | anag.; ref. Sainsbury wing of Nat. Gallery |
| VHC | D. Ashcroft | Hey, taking fifty golfclubs round isn’t common! Gallery objects | oi + ain’t in L Pings (brand name) |
| VHC | Mrs A. R. Bradford | May be life (still) in pilot, in gas fitting | anag. |
| VHC | C. J. Brougham | Bacon pieces selected for hanging, say, are not confined to pickled pig’s loin | ain’t in anag.; ref. Francis B. |
| VHC | C. M. Edmunds | Pickled pig’s loin sandwiches are not unrefined. Bacon creations, for example, that are Art | ain’t in anag.; ref. Francis B. |
| VHC | C. J. Feetenby | They’ll have initials on, those of Goya and Picasso possibly | anag. incl. G, P, & lit. |
| VHC | Dr I. S. Fletcher | Works on canvas setting top in sailing | anag. |
| VHC | S. C. Ford | ‘Pictures at an Exhibition’ might appear if listing piano works | anag. |
| VHC | P. D. Gaffey | Raw energy and zip’s evident about wild Tina Turner’s greatest hits | oil + anag. in ping’s; ref. J. M. W. Turner |
| VHC | N. C. Goddard | Pointing sail to wind – a line of canvas | anag. |
| VHC | G. I. L. Grafton | Constables maybe sad, plodding it in beat, missing the old coppers | anag. less d’s; ref. John C. |
| VHC | R. W. Hawes | One might decipher initials – those of Paul Gauguin – on here | anag. incl. P, G, & lit. |
| VHC | R. E. Kimmons | Initials N.P. go on works by Nicolas Poussin? | anag.; on = tipsy |
| VHC | A. Lawrie | Plain gits? No ——, I fancy! | anag. & lit. |
| VHC | Mrs J. Mackie | Constables perhaps, dressed in plain togs to catch one | I in anag.; ref. John C. |
| VHC | D. F. Manley | Positions in gallery abandoned: —— sorely needing restoration? | comp. anag. & lit. |
| VHC | T. J. Moorey | Initials PG on works, they could be Paul Gauguin’s | anag. |
| VHC | C. J. Morse | ‘What plain folk are not’ isn’t plain – I go for riddling | anag. |
| VHC | R. Phillips | One’s stalled by blasted point and signal works (possibly due to pressure on tubes) | I in anag.; i.e. tubes of paint |
| VHC | D. Price Jones | Ravel nearly spoilt giant in ‘Pictures at an Exhibition’ | anag. incl. spoil(t); ref. Ravel’s orchestration of Mussourgsky’s piece |
| VHC | T. E. Sanders | Constable’s work generally isn’t policing a beat without a bit of crime | anag. less c; ref. John C. |
| VHC | M. Sanderson | They represent G. Panini’s toil | anag. & lit.; ref. 18c Italian painter |
| VHC | W. J. M. Scotland | G. Panini’s toil displayed? | anag. & lit.; ref. 18c Italian painter; display = spread out, unfold |
| VHC | R. C. Teuton | Is Panini’s toiling represented in ——? | comp. anag. & lit.; ref. Giovanni P. |
| VHC | G. H. Willett | With which RA could display inspirational touch of genius | comp. anag. incl. g, & lit. |
HCs in competition 1004 awarded to: